Jazz’n’more | Multiversal Album Review

⭐️⭐️⭐️⭐️⭐️

Stephen Philip Harvey (1992) is a revelation, and the album recorded live at Bop Stop in Cleveland is a major triumph. His compositions and first-class arrangements connect the jazz tradition with the spirit of contemporary African American music.

The eleven tracks, including two alternate takes, captivate with colorful instrumentation, brilliant solos, and varied, admirable interplay between the sections of the orchestra—especially in “Ain’t No Sidekick” with an ecstatic solo from Chris Coles (alto sax) and “Inner Beast” featuring Johnny Cochran (tenor sax) and Dustin May (drums) as soloists. The tracks are inspired by comic book characters, a connection highlighted in the album’s highly readable liner notes.

To experience the orchestra live must have been a true event for everyone present, reflected in the enthusiastic applause. Outstanding tracks include “Multiversal,” partly swinging and partly rocking, enhanced by a magnificent solo from Tommy Lehman (trumpet), and “Tectonic Shift,” featuring an intense solo from Dan Bruce (guitar) and a furious solo from Bobby Selvaggio (alto sax).

In the closing “Band Intro Blues,” Harvey cheerfully introduces the musicians of his orchestra, rounding out an album that invites repeated listening.

Michael van Gee | Jazz’n’more

(Translated from German)